Chaoskampf, the Garden of Eden, and the Mountains of Lebanon

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I have a new paper up on the Garden of Eden that explores its mythological background in Canaanite-Israelite mythological tradition. Among other things, I argue that the mysterious ʾēd that comes up to water the ground in Gen 2:6 is correctly translated “flood” and that the motif hearkens back to an ancient Canaanite myth in which El created the world through defeating the primordial Sea monster. This discovery then leads me to reconstruct how the biblical Garden of Eden story has evolved over time, with particular emphasis on the identity of YHWH-Elohim and the original mountain location of Eden in Canaan. I show how at an earlier stage in the narrative the divine protagonist was likely El rather than YHWH-Elohim and that the site of Eden has been adapted from Mount Lebanon to a non-defined place somewhere on the eastern horizon.

Review of The Hebrew Bible: A Critical Companion, ed. John Barton

 

Of the making of biblical introductions there is no end. John Barton has produced another significant work whose goal is to bring the latest insights in biblical scholarship to a broader audience, The Hebrew Bible: A Critical Companion (Princeton 2016). Only in contrast to other guides or introductions the material is here presented thematically, including essays on the historical and social context of the Hebrew Bible (part I), the major genres of biblical literature (part II), its major religious themes (part III), and finally reception history (part IV). The choice of organization is interesting, as it leads to a more theologically-oriented discussion as the heart of the book in part III, whereas parts I and II are more historical and literarily-determined in the vein of traditional introductions to the Bible.

 

Overall I thought the individual discussions were competent and well-grounded, reflecting the diversity of scholarly views, assumptions, methods, and topics of inquiry in contemporary biblical research. In addition, the writing is accessible and uncomplicated, clearly aimed at the non-specialist over the scholar, and substantial bibliographic information is helpfully appended to each essay. Because of the theological orientation of the book, I would say that The Hebrew Bible is especially useful for people coming from a religious background and who want to engage biblical scholarship at a level that is sensitive to faith concerns. Continue reading

Review of Debra Scoggins Ballentine, The Conflict Myth and the Biblical Tradition (2015)

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I wanted to make a note of a recent publication that deserves more attention, The Conflict Myth and the Biblical Tradition, by Debra Scoggins Ballentine, which is a revision of her dissertation from Brown University. The book presents a comprehensive review and functional analysis of the mythological motif of combat with the Sea/Dragon in West Asia, spanning a period of almost three millennia. She sums up the basic thrust of her argument at the beginning of the first chapter:

This study explores how the theme of divine combat was meaningful for particular authors in particular contexts, that is, how it was useful for saying things about, responding to, portraying, and shaping socio-political realities. The conflict topos was employed in part for ideological purposes in various historical situations, as the following chapters demonstrate through analysis of both whole narrative articulations of the conflict topos and examples of the conflict motif used outside of a narrative context. Ancient West Asian stories of divine combat generate a narrative hierarchical relationship among their characters, and the taxonomy of those mythical characters was consciously projected onto historical persons and polities for ideological purposes. Those aligned with the victorious deity are validated and endorsed by association with that deity. Those aligned with the sea or dragons are, the authors hope, destined for defeat, invalidated, and delegitimized.

The analysis is thorough, theoretically sophisticated, and very well done. For anyone interested in exploring more deeply a theme of crucial generative significance for a variety of narratives in both the Old and New Testaments, The Conflict Myth is a must read. Ballentine not only illuminates the flexibility, variation, and consistency of the conflict motif over a wide geographical and temporal frame, but she powerfully demonstrates how the study of the ideological function of myth can enrich our understanding of familiar stories from the Bible.

Perhaps most provocative is her conclusion that the various enemies featured in the conflict myth are not “agents of chaos” but should rather be understood as “agents of an alternative divine power structure.” Accordingly, she pleads that scholars avoid using “chaos” or “Chaoskampf” with reference to the conflict theme. On the one hand, I think that Ballentine is absolutely right that “chaos” as a descriptive label has been overused and abused, that all the enemies defeated by warriors gods should not be simply homogenized together or decontextualized and in some cases their ontology and status is portrayed as not substantially different from other deities. Yet to my mind to characterize the theme of divine combat with the Sea as merely conflict between competing power structures also hardly does justice to its mythological resonances. One needs to differentiate between specific creative articulations of the motif as attested in specific literary sources (Yam in the Baal Cycle, Tiamat in Enuma Elish) and its more basic underlying mythological structure and conceptual background, which originally seems to have been closely tied to cosmogonic creation and some sort of conflict with primordial “chaos.” In the eastern Mediterranean where the myth appears to have developed the basic idea was that a god had defeated a primordial Sea monster at the beginning of time and established his mountain throne 0n top of it, in the process creating a well-ordered cosmos, with sea, dry earth, mountains, fresh water, and sky. The myth is reflected in numerous biblical and extra-biblical texts and also makes sense within the local topography of the region (Batto 2013; Kottsieper 2013; Ayali-Darshan 2014).

That this primordial Sea monster can accurately be associated with a concept of “chaos” or “Chaoskampf” is supported by various considerations: 1) this Sea monster is primordial or pre-creation and is the stuff upon which the cosmos are established; 2) it is portrayed as monstrous in form, suggesting it is unlike other more benevolent anthropomorphic deities; 3) it is associated with the watery deep and sea, which are inherently chaotic and dangerous; and 4) it is located at the periphery of the cosmos from the perspective of humans and thus occupies a pole opposite from the ordered center (Smith 2001: 27-33).

I would therefore argue that the terminology of “chaos” and “Chaoskampf” is still useful as a description for some versions of the West Asian conflict topos, and even in those cases where the enemy of the warrior god is not identifiable or coterminous with chaos per se, such as with Yam at Ugarit in the Baal Cycle, resonances of the chaoskampf theme nevertheless lie in the background and inform how ancient readers would have inevitably approached the narrative, e.g. when El sides with Yam and calls him his “beloved” for kingship, it only makes El look thoughtless and foolhardy, since the Sea was formidable and dangerous and could not be a worse choice for rulership over the gods on mount Zaphon.

 

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Ayali-Darshan, N. 2014. The Question of the Order of Job 26,7-13 and the Cosmogonic Tradition of Zaphon. Zeitschrift für die alttestamentliche Wissenschaft 126: 402-417.

Batto, B. 2013. The Combat Myth in Israelite Myth Revisited. Pp. 217-236 in Creation and Chaos: A Reconsideration of Hermann Gunkel’s Chaoskampf Hypothesis, ed. J. Scurlock and R. H. Beal. Winona Lake, IN: Eisenbrauns.

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אל קנה ארץ: Creator, Begetter, or Owner of the Earth?

 

I have a new article up on the meaning of the verb qny in the divine epithet qny ʾrṣ, variously translated “Creator,” “Begetter,” or “Owner of the earth.” I argue that the verb never means “to create” in West Semitic and that all attested usages can be explained on the assumption that they derive from a single root with the basic meaning “to acquire, come into possession.” The correct translation of Hebrew qnh šmym wʾrṣ in Gen 14: 19, 22 is “Owner of heaven and earth.”

Review of Biblical Interpretation Beyond Historicity, ed. Ingrid Hjelm and Thomas L. Thompson

In recent decades historical study of the Hebrew Bible has experienced a number of interpretive shifts as a result of developments in the broader social, intellectual, and academic environment, which has led many scholars to view the narratives of the Bible as more literary construction than authentic sources for the history of Israel-Judah. At the forefront of this movement has been a collection of scholars loosely associated with Copenhagen and Sheffield, often decried as biblical minimalists, who have pioneered new perspectives on the relationship between the Bible, history, and myth and provoked greater methodological introspection and rigor in the field as a whole.

The present volume Biblical Interpretation Beyond Historicity (Routlege 2016) represents the latest contribution by some of the key figures in this discussion, which gathers papers on a variety of topics that attempt to address the question of the nature of the biblical literature, as well as a valuable introduction that offers a brief overview of the minimalist-maximalist debate and a concluding theological homily about the relevance of this scholarship to religious lay people. Continue reading

Review of R. Kratz, Historical and Biblical Israel: The History, Tradition, and Archives of Israel and Judah (2015)

 

Historical and Biblical Israel: The History, Tradition, and Archives of Israel and Judah, by Reinhard Kratz, is a revised and enlarged English edition of a work that originally appeared in German. Following in the footsteps of the bold 19th century exegete J. Wellhausen, Kratz aims to clarify the relationship between the Israel of history and the “Israel” of the Bible and to reconstruct the historical evolution by which the Hebrew Bible/Old Testament came to be an authoritative tradition for Judaism and Christianity. The work is divided into three sections that build on one another: first, a survey of the history of Israel and Judah until the destruction of the Second Temple as the context in which the biblical tradition arose (part A), second, an investigation into the formation and literary development of that tradition (part B), and lastly, a consideration of the role of scribal archives as the setting in which biblical literature was produced, edited, and transmitted (part C).

 

Although some of the content has appeared elsewhere separately, the book represents a notable contribution by one of the foremost scholars in contemporary Hebrew Bible study. It succinctly summarizes a wide range of historical and textual research, provides a comprehensive and original synthesis of the data, and could easily function not only as an introduction to German critical scholarship but as an entree to salient discussions and primary resources by means of the thorough and up-to-date footnotes and bibliography. Historical and Biblical Israel is clearly the work of a seasoned scholar who has distilled a vast amount of learning into a rather slim and compact volume.

 

What distinguishes Kratz’s reconstruction of the origin of the Hebrew Bible from other treatments is the degree to which he critically contextualizes it in the larger sweep of political, religious, and cultural history, from the earliest attestation of Israel to the destruction of the Second Temple in 70 CE. The outline of history in part A allows him to see the biblical tradition as largely the product of a period subsequent to the destruction of the Israelite and Judahite kingdoms, when the biblical authors sought to found a new cult and religion, namely biblical Israel/Judaism. In part B the identification of pre-biblical written sources based on historical and comparative considerations is then used to determine how individual traditions were transformed over time into the books of the Bible, which process is dated according to major epochs and caesuras in Israel and Judah’s own history. Finally, in part C Kratz discusses epigraphic evidence from known centers of scribal literary production to suggest that the tradition of biblical Judaism did not become widely authoritative in Palestine or the diaspora until after the Maccabees and Hasmoneans established it as their official religion. The upshot is that while we can trace biblical tradition back to its monarchic-era roots, this religious tradition was of marginal significance in terms of its cultural impact and coexisted with the Canaanite milieu of ancient Israel and Judah that remained dominant in the region until well into the Second Temple period.

 

I think in general Kratz’s analysis is strong and well-reasoned. His integration of the Bible with primary source material is methodologically circumspect, if at times slightly optimistic about the value of the biblical narrative as a historical source. Although different scholars may not find his reconstruction to be altogether convincing, his conclusions are balanced and judicious. Kratz carefully weighs interpretive options, guides the reader through the steps of his argument, and often acknowledges when the available evidence prevents firm decision.

 

Of the various sections, part B will probably invite the most criticism, since it is here that Kratz relies upon the very complex and hypothetical enterprise of literary-historical criticism of the Bible. He does not provide detailed argumentation for his reconstruction of literary development, but only refers to previous publications, which is perhaps understandable considering the nature of the book. Nevertheless, I thought there were a number of assertions and claims made in this section that lacked persuasiveness. For example:

 

  • The biblical books’ authors and copyists arose from scribes who worked outside of state-sponsored institutions (p. 63). The criticisms leveled at the court and temple in literature set in the monarchic period in my view do not necessitate the assumption that they rejected these institutions or were unconnected with centralized institutions in the post-monarchic period. The scribal archive at Qumran seems an inadequate model for thinking about the origin of the biblical tradition.
  • The legal collection of the Covenant Code originated apart from the early Exodus narrative through a process of oral tradition (pp. 67-68, 84). As it stands, the Covenant Code appears to be a literary composition integral to the larger narrative context. Nowhere does Kratz engage with D. Wright’s proposal that the Covenant Code is literarily dependent on the Code of Hammurabi.
  • The concept of a conditional relationship with God was first developed by the prophets (p. 76). This suggestion is obviously dependent on Wellhausen, who characterized the prophets as religious innovators and the discoverers of ethical monotheism. But it can no longer be taken for granted that the books of the prophets reflect the historical situation they describe or preserve authentic original teaching. In general, the prophetic books appear to have been constructed by a later readership and so presuppose external religious development.
  • The stories of Genesis originated from oral traditions of different tribal groups in ancient Palestine (p. 81, 108). Kratz tends to assume that literary depictions of ancestral figures or regional heroes stem from a long chain of oral/written tradition. But in fact we have little evidence that this was the case, and I think this approach to tradition-criticism underestimates the ability of scribes to function as creative authors who invent tradition.
  • The exodus-conquest story is exclusively Israelite (p. 81). In the fiction of the narrative the people of Israel is inclusive of Judah (cf. Josh 7:1, 18), so the emphasis on Israel seems an inadequate basis upon which to literarily differentiate the story from the Genesis narratives.
  • The Deuteronomistic history originated around 560 BCE (p. 86). Kratz does not explain why a date immediately after the end of the monarchy is more plausible than a setting during the Second Temple, and neither does he devote much attention to clarifying the identity and origin of the Dtr authors.
  • Wisdom literature was progressively theologized (p. 91). The idea that wisdom sayings in Proverbs were originally secular and became theologized over time seems circular, since it requires judging the theological elements of the sayings as essentially secondary.
  • The redaction responsible for the primeval and patriarchal narratives is distinct from that of the exodus narrative (p. 97). While this view is common enough in European scholarship, it would have been helpful to provide more substantiation for this thesis. At least in my mind, it seems less than obvious that the patriarchal, Joseph, and exodus narratives in their earliest literary form would have had separate origins. Too often the tradition-historical approach assumes diverse origins as the only viable solution to the problem of literary fractures.

 

Despite these disagreements over literary history, Kratz can only be offered fulsome praise for his daring attempt to produce a synthetic reconstruction of the origin of the Hebrew Bible and to make it available to a broader readership. His writing is compressed and yet clear and accessible, and the glossary at the end of the book will assist those less familiar with the technical terminology of academic biblical studies. Finally, although the book is strictly historical in its interpretation of the development of the biblical tradition, the author ends with an eloquent postlude directed at those who may have concerns that the conclusions reached in the book undermine religious faith.

[Note: I received a free review copy from OUP]

Who is Baal?

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According to the biblical narrative, the worship of Baal (meaning “Lord”) was the primary threat to the exclusive worship of YHWH during Israel’s life in the land of Canaan. From their first contact with Canaanite peoples, the Israelites are portrayed as irresistibly drawn to this polytheistic and iconolatrous cult. At Peor in the Transjordan they intermix with the local inhabitants and begin to worship the Baal of Peor. Hosea describes their change in cultic loyalties as almost instantaneous, “But they came to Baal of Peor and consecrated themselves to a thing of shame” (Hos 9:10). Similarly, soon after having settled in the promised land, a new generation arises after the generation of the conquest had passed on, and they, the Dtr author alleges, “did what was evil in the sight of YHWH and worshiped the Baals; they abandoned YHWH, the god of their ancestors, who had brought them out of the land of Egypt; they followed other gods, from among the gods of the peoples who were all around them, and bowed down to them” (Jdgs 2:12).

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Review of Thomas Römer, The Invention of God (2015)

 

In the Invention of God, Thomas Römer tackles the perennial question of the origins and evolution of the god of Israel. Incorporating a wealth of archaeological and biblical data, Römer traces the complex and multi-layered history of the deity, showing how an obscure desert war god YHWH eventually became the singular God of monotheistic religions. Although the topic has received extensive treatment in recent decades, Römer’s discussion is fresh, accessible, and state of the art, demonstrating a broad knowledge of various disciplines and fields of study and especially critical analysis of the biblical texts.
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Hannah, Samuel, and Saul in 1 Sam 1:1-2:11a*

 

hannah-praying-woodcutI have posted the first installment to my series on the literary history of 1 Sam 1:1-4:1*. The introduction to the series can be found here and the first installment on 1 Sam 1:1-2:11a* here. In order to illustrate the discussion of particular units and verses in the body of the paper and show how the textual and literary evidence all fits together, I have also created hypothetical versions of the different stages of the text here.

Some of the highlights and main contributions of my study of these chapters so far include:

–I have found two main compositional layers behind these chapters, first an early source originally belonging to a Saul narrative and then a Dtr adaptation of that source into a Samuel narrative. The Dtr adaptation is then followed by separate redactional trajectories reflected in the LXX, MT, and 4QSama.

–The early source underlies material in each of the three chapters of 1 Sam 1:1-4:1a, though it is in a fragmentary state and no longer reconstructable as a continuous narrative.

–I believe I have offered the strongest argument to date for identifying the original child of the birth story as Saul rather than Samuel, and further argue that the location of the temple that Saul was brought to was near Gibeon rather than Shiloh.

–I have found that the Samuel narrative of 1 Sam 1:1-4:1a, to distinguish it from the early source, was likely always part of a broader Dtr narrative that included parts of the book of Judges.

–The MT recension has an abbreviatory character in terms of its preservation of the earlier Dtr Samuel narrative.

–In terms of the history of ideas, the early source seems surprisingly comfortable with iconolatrous religious practice and cult, whereas the later Dtr adaptation and subsequent redaction, particularly in the MT, becomes progressively more stringent and rigorous in its theological outlook.

–The lifelong nazirite dedication of the child is likely secondary to the narrative. Originally the child was dedicated for temple service during his childhood as a form of “child sacrifice”.

–Part of the song of Hannah seems to have been original to the early source and was not imported from elsewhere, contrary to the general thinking of much critical scholarship, though it has clearly been a focus of redactional interest.